Journeys, here and there and back again at the Defoors Center - shot in HD!

My show is finally up!!!!!!!   We have gotten good press and alot of attention.    Today there is an article in the Northside Neighbor - Female artists highlighted in Buckhead Art Exhibit!!!!

I hung 70 pieces this weekend.    Joel Conison photographed the exhibit in HD - click HERE to not only see my show, but see how great the photographs look!!!!!

It is a great venue - 5500 square feet, 30 foot ceilings!

Come to the opening on Sunday 6/19 - 2-4P

THE ADVANTAGES OF USING A PROFESSIONAL TO PHOTOGRAPH YOUR ARTWORK, GUEST BLOG WRITTEN BY PROFESSIONAL PHOTOGRAPHER JOEL CONISON

I believe having good images of your work is one of the most important things you need.  Before I met Joel, back in the days of slide submissions, i had some work photographed.   When I met Joel, I showed them to him, and without taking a close look, he said they were too blue and the color was not corrected.  Watching him photograph artwork and spending time in photoshop, I finally asked him to write a guest blog for me about the advantages of using a professional.

Joel Conison was a commercial photographer for over 20 years in Cincinnati.  During that time he photographed countless works of art for the Taft Museum,  so he has extensive expertise in photographing all types of artwork - both 2d and 3d work.   At the end of what Joel wrote, I included two images, one that was corrected and one that wasn't.   I think you will be able to tell the difference between them.  But I will say since they are images of my work, I know the second image is right on with the correct color.

The following is Joel's blog

There are a number of reasons to hire a professional photographer to photograph your art work. One of them is that they are a professional and have done this before. A pro knows how to properly light your work with the proper equipment. Yes, you can buy the same equipment, I'd be happy to tell you what I use. But, do you want to go that expense? Do you want to take the time and practice to learn how to do that when you could be making art?

A professional also has a light meter which allows them to know if the light is evenly covering your work. Also a professional is using a professional camera. A point & shoot camera  will work but only records jpg files. That's fine for the web & submissions but not if you want prints unless your final size of the file is the size you want to print. 

Another issue is photographing pieces that have been framed & behind glass. What is needed for this are two filters, one for the camera & one for the lights, each light. The light needs to be polarized in order to remove the reflection. Without filters on both camera lens & both lights you can not remove the entire reflection. 

There is also the need to bracket on occasion, which means making a lighter and darker exposure than the "normal" exposure. This allows the photographer to choose the "correct" exposure. This is essential when using the polarizing filters because a meter reading is too difficult to take as you can't take the filter off of the lens because the filter is turned (rotated) until the reflection disappears. The correct exposure is determined by placing a black & white step wedge next to the art work & determining the correct exposure by looking at the step wedge. A step wedge is a series of increasing darker grays beginning at white & progressing to black. For really good files you want to capture that art work in RAW format, which brings another question. 

Are you competent with Photoshop, or do you have a few months to battle through the learning curve? A Pro is going to provide two files for every art work. One will be a jpg file for web, submissions & email, and also a psd file (hi-res) for publications. All digital files should be neutralized, meaning there is no color bias in the file (is it too red, too blue, etc) and also sharpened. No matter how well you focus the camera all digital files need to be sharpened. It's the nature of the way digital capture works that sharpening is required for all files.

So in summation it's a good idea to have a pro photograph your work because they have the proper lights, camera, photoshop experience and additional  skilsl that you might not posses. Submitting bad files digital files is the same as submitting bad slides.

UNCORRECTED IMAGE

CORRECT IMAGE

If you are interested in getting your artworked photographed for a reasonable fee, contact Joel at jcon77@comcast.net

AN EPIPHANY IN THE DARK

Many artists say they had a life-changing moment. This is such a story. Joel Conison saw something in the blink of an eye that changed the direction of his life.

What if you were brought up in a traditional household and never thought of yourself as an artist. You had the advantage of a mother being an award winning sculptor in both stone and marble. Your father is a CPA. A career in art never crosses your mind because you are too busy being a kid.

Going to Ohio State, he did what any normal college boy would do, and trust me, he didn't write home about it.

He will admit he had an interest in photography. BUT - when taking a photography class, the teacher had a lesson called "art in the dark" - showing famous photographs on a screen. It was here he saw the famous photograph, Pepper 30 by Edward Weston. At that exact moment he knew he was meant to be a still life photographer. Truly an epiphany in the dark (that is the photograph above).

After seeing that photograph, he moved to Chicago and apprenticed for five years with several still photographers (and yes, one worked for Playboy).

Joel became a successful commercial photographer in the Cincinnati area, photographing prestigious clients like the Cincinnati Symphony and the Cincinnati Ballet, But, after 20 years, he found himself a little bored and he knew the advertising business was changing. He had been teaching adults in the evening and realized he liked it. So, he sold everything and moved to Brooklyn and pursued his MFA at Pratt. (This is the highest you can go as a studio artist)

Fast forward to today, he has come full circle. After practicing commercial photography, getting an MFA, teaching on the college level, he went back to what originally made his heart beat - still life art photography.

At this moment he is photographing taxidermied birds. (see them and read his artist statement here) Yes, I didn't understand taxidermy either, but trust me - animal lovers out there - they are the biggest animal lovers in the world.

So - compare Pepper 30 to what Joel is doing now (see below Empire on the left, Raven on the right)

I'd love to hear other stories of a moment that changed your life!

HOMEWORK HOMEWORK

So - the most recent lesson in my Blog Triage class was to put five links in an article. Well, I could sit down and write a very compelling article, but it took me all afternoon to figure out how to insert the links. I think I might have it now.
First of all, I want to congratule Lance Carlson on his inclusion in the juried show which is hanging at the Knoxville Airport.


Secondly, I want to mention Joel Conison's show at Naomi Silva of his Birds series. He now has 30 completed, and plans on going to Cincinnati and Charleston to shoot more taxidermied birds. They are getting great reception, and giving him the attention he so deserves. When Naomi learned he had 30 finished now (the show has 17), she told people this was the inaugural showing of this series! He is investigating London galleries now - he needs to get a passport, mine is valid!


I really like my friend Jacqueline Allison's new series of work called relational . She has really been experimenting with new techniques and she isn't afraid to try something new.

Why the homework? I am currently taking a class entitled Blog Triage from Alyson Stanfield and Cynthia Morris.. I hope to migrate this blog over to Wordpress soon, so I've been playing around over there!